![]() The art department constitutes of Troy Adomaitis and Vincent Waller as the storyboard artists. The animation department constitutes of Luke Brookshier and Dave Bullock who are the character designers and John Flanagan as the main animator. The movie is going to be produced by Julia Pistor, Steve Starkey, Robert Zemeckis and executively produced by Kathleen Kennedy and Steven Spielberg. It did a crossover when it wasn’t even popular, where cartoon characters from different studios shared the screen in a live-action movie. Who Framed Roger Rabbit is one of the most innovative and imaginative films of the bygone 80s era. But one particularly deserves all the attention. There's a wonderful script sitting at Disney that is really good, but I don't think it's on their radar.There are quite a several Disney movies hidden beneath the pile of popular ones. "There's no princess in it, so I don't know where that would be. "I don't know where fits in their universe," Zemeckis told Yahoo Movies UK in 2018. Robert Zemeckis has discussed the potential for a "Roger Rabbit" sequel, telling The Telegraph in 2016 that the most recent script he read was "excellent." However, the director also said that the chances were "slim" that Disney would approve the film's production, as it doesn't necessarily fit into the current Disney climate. Several more attempts to produce a sequel were tried over the next few decades, each of them meeting with a disastrous end. ![]() That same year, screenwriter Nat Mauldin wrote a prequel, "Roger Rabbit Two: The Toon Platoon," that would have detailed Roger's early life in the 1940s, his first interactions with Jessica Rabbit, and his service in World War II. Abrams completed an outline for a sequel that was never greenlit into full production. In 1989, at the behest of Steven Spielberg, aspiring filmmaker and future "Star Wars" director J.J. Seaman revealed that Doom was intended to be the unseen hunter who killed Bambi's mother in the classic Disney film, "Bambi." In the finished version of the film, the line was cut - although it's worth wondering if the backstory still applies to Doom's character in the movie. In the 1986 draft of "Roger Rabbit" - then titled "Who Shot Roger Rabbit?" - screenwriters Jeffrey Price and Peter S. More observant viewers may also notice that Doom always avoids physically coming into contact with the Dip, despite the substance being harmless to human beings.Ĭertain details about Doom's past as a character were also discussed prior to filming. It makes him even more ominous, more scary, if he's just looking like that," said Lloyd in a Disney+ Q&A on Twitter. "I just felt a toon doesn't have to blink their eyes to remoisten their eyeballs. To cater to this, the animators placed Daffy Duck in the dueling pianos scene with Donald Duck, had Bugs Bunny appear in the skydiving scene with Mickey, and had Porky Pig appear with Tinkerbell in the movie's closing moments.įor example, whenever Doom's eyes are shown on screen, Christopher Lloyd deliberately avoided blinking, both as a way to unsettle viewers and because Doom - as a toon - wouldn't need to blink. requested that their characters receive the same amount of screen time as Disney's, or were placed alongside them in several key scenes. also requested several smaller concessions that Spielberg and his team were expected to fulfill in order to use the studio's characters in the movie. ![]() ![]() In addition to monetary fees, Warner Bros. into the fold, with the studio agreeing to allow their characters' appearance in the film for a flat rate of $5,000 per character ( via The Hollywood Reporter). As part of these negotiations, Spielberg was able to bring Warner Bros. While Disney Studios saw to the distribution of the film and guaranteed the filmmakers the rights to their characters, "Roger Rabbit" executive producer Steven Spielberg had to negotiate the rights of certain characters from other studios.
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